Selasa, 26 Februari 2019

Get Free Ebook The Speaker's HandbookBy Jo Sprague, Douglas Stuart, David Bodary

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The Speaker's HandbookBy Jo Sprague, Douglas Stuart, David Bodary

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The Speaker's HandbookBy Jo Sprague, Douglas Stuart, David Bodary

Helping you build your public speaking skills for a variety of contexts, THE SPEAKER'S HANDBOOK, 11e covers the entire process of preparing, organizing, developing, and delivering a speech-making it the ideal resource for beginning and experienced speakers alike. The handbook's comprehensive coverage emphasizes ethics, reasoning, audience analysis, and diversity throughout. Each chapter is designed to stand alone so you can easily refer only to the sections you need. Vivid graphics help illustrate key concepts like public speaking anxiety. Recent speeches from beginning speakers as well as public figures-including President Obama's commemorative speech on the death of Nelson Mandela-give you relevant speech models to analyze. In addition to valuable tips and advice, the handbook is packed with hands-on activities to give you plenty of practice and Checklists to help you review what you've learned.

  • Sales Rank: #402250 in Books
  • Published on: 2015-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 7.00" l, 1.60 pounds
  • Binding: Spiral-bound
  • 528 pages

Review
"It covers what I would expect and need a public speaking book to cover, and it does so in a concise way that is also easy to understand."

About the Author
Jo Sprague is professor emeritus of Communication Studies at San Jose State University, where she also served as associate director of the Center for Faculty Development and Support. In addition, she is a former president of the Western States Communication Association. Her research focuses on critiquing, teaching, and the scholarship of speech communications.

Douglas Stuart is Vice President of Technical and Marketing Publications at FirstTel Systems Corporation.

David Bodary is a professor of Communication at Sinclair Community College in Dayton, Ohio, where he teaches public speaking and coordinates the Service Learning office. He belongs to both the National Communication Association (NCA) and the Central States Communication Association. Dr. Bodary has served in a variety of roles for both organizations and is pleased to have participated in the NCA Learning Outcomes in Communication project. He earned his bachelor's from Eastern Michigan University and a master's and doctorate from Wayne State University.

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Minggu, 20 November 2016

Download PDF Passing It On: Fighting the Pashtun on Afghanistan's FrontierBy General Sir Andrew Skeen

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Passing It On: Fighting the Pashtun on Afghanistan's FrontierBy General Sir Andrew Skeen

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Passing It On: Fighting the Pashtun on Afghanistan's FrontierBy General Sir Andrew Skeen

A Republished and Annotated Edition of "Passing It On: Short Talks on Tribal Fighting on the North-West Frontier of India" with new a Forward and Lessons Learned. Republished by the Foreign Military Studies Office, Fort Leavenworth, Kansas. Illustrated. From the foreword: "This book, originally published as a guide for British lieutenants and captains, demonstrates that improvements in technology-much of it available to both sides - have had only a modest impact on infantry fighting in this rugged terrain. However, it also demonstrates that the key to enhancing basic infantry effectiveness is using the terrain effectively, maintaining force security and understanding the mountain people. General Sir Andrew Skeen spent decades dealing with this frontier. His combat experience in the Afghanistan frontier region was extensive, but he also saw action against the Boxers in China, in Somaliland, Gallipoli and the trenches of the Western Front in World War I. His final field posting was as the Chief of the General Staff of the Army of India. "Passing it on" is about passing on his experience in this turbulent region to the lieutenants and captains who were then dealing with the problems of mountain combat against Pushtun tribesmen. His advice is still relevant to what our soldiers are facing today. The mission of the Foreign Military Studies Office is to esearch and present foreign ideas and perspectives to better understand present and future problems. Occasionally we visit the past to find those ideas and perspectives. This 1932 book is not so much a step backwards as the (re)discovery of a useful map for now and the future. We hope it will be of value to our readers".

  • Sales Rank: #3307855 in Books
  • Brand: Brand: Military Bookshop
  • Published on: 2011-10-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.61" h x .36" w x 6.69" l, .61 pounds
  • Binding: Paperback
  • 168 pages
Features
  • Used Book in Good Condition

About the Author
Les Grau is a retired US Army officer who fought guerrillas in South Vietnam and left on a stretcher. Consequently, his appreciation for guerrilla tactics came early in his career. The Army later taught him Russian, and his tours of duty included frequent trips to the Soviet Union and elsewhere. He has is the author of three books on the Soviet-Afghan War, including The Other Side of the Mountain: Mujahideen Tactics in the Soviet-Afghan War (with Ali Jalali). Mike (Misha) Gress grew up in the wilds of Siberia where everyone's dad, including his own, was a veteran of the fight against the Nazis. He joined the Soviet Army and served in the infantry (motorized rifle) forces, and afterward produced The Soviet-Afghan War: How a Superpower Fought and Lost with Les Grau.

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Jumat, 29 Januari 2016

Free Download The Anaesthesia Viva: Volume 1, Physiology and Pharmacology: A Primary FRCA CompanionBy John Urquhart, Mark Blunt, Colin Pinnock

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The Anaesthesia Viva: Volume 1, Physiology and Pharmacology: A Primary FRCA CompanionBy John Urquhart, Mark Blunt, Colin Pinnock

Now expanded and updated to reflect the most recent changes in the viva examination, this two volume series is an indispensable aid to success in the anaesthesia viva examinations and appropriate to both the Primary FRCA and the Final FRCA. This first volume covers the essentials of physiology, pharmacology, and statistics and gives the candidate a comprehensive range of possible questions and exemplary model answers to provide the perfect self-learning tool, and it is also useful as a concise reference for the established anaesthetist, being packed with up-to-date information on fundamental questions that face the anaesthetist on a daily basis.

  • Amazon Sales Rank: #3496109 in Books
  • Published on: 2002-12-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 6.14" w x 6.14" l, .75 pounds
  • Binding: Paperback
  • 208 pages

Review ' ... a useful revision manual for primary examination candidates.' Anaesthesia and Intensive Care

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Minggu, 25 Oktober 2015

Free PDF The William Lowell Putnam Mathematical Competition: Problems and Solutions 1965–1984 (MAA Problem Book Series)From The Mathematica

Free PDF The William Lowell Putnam Mathematical Competition: Problems and Solutions 1965–1984 (MAA Problem Book Series)From The Mathematica

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Free PDF The William Lowell Putnam Mathematical Competition: Problems and Solutions 1965–1984 (MAA Problem Book Series)From The Mathematica

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The William Lowell Putnam Mathematical Competition: Problems and Solutions 1965–1984 (MAA Problem Book Series)From The Mathematica

The Putnam Competition has since 1928 been providing a challenge to gifted college mathematics students. This book, the second of the Putnam Competition volumes, contains problems with their solutions for the years 1965-1984. Additional solutions are presented for many of the problems. Included is an essay on recollections of the first Putnam Exam by Herbert Robbins, as well as appendices listing the winning teams and students from 1965 through 1984. This volume offers the problem solver an enticing sample of challenging problems and their solutions. In 1980, the MAA published the first William Lowell Putnam Mathematical Competition book, covering the contest from 1938 to 1964. In 2002 the third of the Putnam problem books appeared, covering the years 1985 through 2000. All three of these books belong on the bookshelf of students, teachers, and all interested in problem solving.

  • Sales Rank: #676868 in Books
  • Published on: 2003-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.84" h x .39" w x 7.01" l, .60 pounds
  • Binding: Paperback
  • 155 pages

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Rabu, 05 Februari 2014

PDF Download The LotteryBy Shirley Jackson, Brainerd Duffield, Brainerd Duffield

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The LotteryBy Shirley Jackson, Brainerd Duffield, Brainerd Duffield

The Lottery

  • Sales Rank: #1463349 in Books
  • Brand: Dramatic Pub Co
  • Published on: 1983-06
  • Binding: Paperback
  • 26 pages
Features
  • Great product!

About the Author
Shirley Jackson, born in 1919, was the author of numerous books, including "Hangsman," "Life Among the Savages," and "We Have Always Lived in the Castle," For the last twenty years of her life, until her death in 1965, she lived in North Bennington, Vermont.

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Rabu, 09 Januari 2013

Free Download Origin: A Novel (Robert Langdon), by Dan Brown

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Origin: A Novel (Robert Langdon), by Dan Brown

Review

"Fans of The Da Vinci Code rejoice! Professor Robert Langdon is again solving the mysteries of the universe." --People Magazine  "A brisk new book that pits creationism against science, and is liable to stir up as much controversy as The Da Vinci Code did. In Origin, the brash futurist Edmond Kirsch comes up with a theory so bold, so daring that, as he modestly thinks to himself in Brown’s beloved italics, “It will not shake your foundations. It will shatter them.” Kirsch is of course addressing The World, because that’s the scale on which Brown writes.  Brown and serious ideas: they do fit together, never more than they have in Origin."  –-Janet Maslin, The New York Times  "Origin asks the questions Where do we come from? Where are we going? They are questions about humanity--but they could just as easily be questions about Robert Langdon.  The Mickey Mouse watch-wearing, claustrophobic, always-near-trouble symbology professor is back in Dan Brown’s latest book. And just like he was in his original exploits (Angels & Demons and The Da Vinci Code), Dr. Langdon is once again wrapped up in a global-scale event that could have massive ramifications on the world’s religions. As he does in all his novels, Brown[‘s] extensive research on art, architecture, and history informs every page." --Entertainment Weekly "Entertaining . . . Loyal fans of his globetrotting symbologist Robert Langdon will no doubt be thrilled with the fifth book in the series."--USA Today  "Dan Brown is once again taking on the big questions: God and science and the future of the world. Origin is a familiar blend of travelogue, history, conspiracies and whodunit, with asides on everything from the poetry of William Blake to the rise and fall of fascism in Spain."--Associated Press"The bestselling author of The Da Vinci Code is back with a new book that looks to the future. Origin features many of Brown’s signature themes. An evil, Catholic-adjacent cult, in this case the Palmarian Church, is behind some murders. Gems from art history are the key to solving the mystery.  [And] if the reader is in it for the thrill and the twist, the faithful will be glad to hear that there’s a Da Vinci Code-esque background to Robert Langdon’s mission." --The New Republic 

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About the Author

DAN BROWN is the author of numerous #1 international bestsellers, including The Da Vinci Code, Inferno, The Lost Symbol, Angels & Demons, Deception Point, and Digital Fortress.

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Product details

Series: Robert Langdon

Hardcover: 480 pages

Publisher: Doubleday; First Edition edition (October 3, 2017)

Language: English

ISBN-10: 0385514239

ISBN-13: 978-0385514231

Product Dimensions:

6.3 x 1.6 x 9.6 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

9,415 customer reviews

Amazon Best Sellers Rank:

#4,024 in Books (See Top 100 in Books)

Spoiler alert: This review discusses the plot and the philosophical questions and controversies underlying it.I give this book two stars only because Dan Brown is still skillful at constructing a decent plot structure and managing his narrative pace. In my opinion, however, it is the worst novel he has ever written. The ending and “the culprits” were fairly easy to predict very early on. Brown telegraphed the secrets Robert Langdon and Ambra Vidal would reveal even as Langdon went through his usual machinations of deciphering various symbols while on the run.As is the case with all of Dan Brown’s novels, the page before chapter one states that “All art, architecture, locations, science, and religious organizations in this novel are real.” This may be technically true, but Brown twists the reality behind the above to suit his purposes and, at times, grossly distorts the underlying truths and meanings of art, science, religious institutions, and locations.A few examples are in order, although pointing out every discrepancy between what is real and what is fabricated would take a book in itself. First, the narrative states that Michelangelo’s David is effeminate because of its pose. The truth is that Michelangelo was forced to position the David as it now stands because it was necessary to carve around various flaws in the column of marble he had selected for the piece. The David is real, of course, but not the information about its carving or its resulting presentation.Second, the ultraconservative Palmarian Church is indeed a Catholic schismatic sect that broke away from the Church in 1978, not recognizing any further popes in Rome but rather electing its own. It is not, however, a thriving sect that has hundreds of thousands of followers worldwide who donate veritable fortunes to keep conservative Catholicism alive, which is what the book claims as fact. It is estimated that the sect has fewer than 1,000 followers left and continues to shrink. It has only thirty nuns and a pope who left to get married. That’s conservative? In Origen, the Palmarian church is a popular and wealthy driving force helping to drive Brown’s plot on several fronts. What Brown has written about the church is not in any sense “real.” At the very end, he pulls back and says the church was just a financial scam, but that’s not entirely true either.But let’s move onto a third example, one that is inferred from both science and religious institutions. This is the biggie.The book plainly states in multiple chapters that there are only two possibilities: either God created man fully-formed or else Darwinian evolution is correct and negates the possibility that there is a God. Catholic doctrine and most Christian denominations have no argument with science, nor is there any belief that Darwin’s theories preclude the existence of God. The Catholic Church (and its theology) openly acknowledges that the creation story in Genesis and much of the Old Testament are genre fiction and not to be taken literally. The entire premise of the book is that once evolution and its corollaries have been proven correct, such as how the first DNA was created in the primordial oceans, then God can no longer exist. With the exception of many fundamentalist and evangelical Christians, this view is not shared by most Christians, and Genesis is not taken literally by believers.Brown has made his entire plot revolve around this central question of evolution and the creation of the first living cells. Okay, so what if a lightning strike caused certain molecules to form into one-celled organisms, meaning that God didn’t come from heaven on a chariot and place Adam and Eve in the Garden? Other questions must be answered. Who made the oceans? The planet? The galaxies? Who is responsible for the Big Bang? Brown, who gives enormous shout-outs to New Atheists such as Hawking, deGrasse Tyson, Dawkins, and others, tries to limit the entire debate over the existence of God to a point that is not in contention within Catholicism. The plot, presented as philosophical fact, and its assumption that definitive proof of evolution will put an end to all religions, is absurd—and is most definitely not fact. (Evolution was presumed as fact by most scientists long ago, and religion didn’t die.)But consider that little sentence at the beginning of the book again: “All art, architecture, locations, science, and religious organizations in this novel are real.” The author has skillfully manipulated his readers into buying into believing that science and religion cannot coexist, a central theme to the book without which there can be no plot. Once the reader believes that little innocent-looking sentence, then the whole philosophical premise of the book is entertained as being a valid argument that will topple religion.Brown has been hammering away at religion for several years by inserting twisted facts into his plots, and this is a tour de force in inviting the reader to step inside his world of scientific rationalism. But one cannot prove the “supernatural” with “natural” sciences. Science itself admits that beyond an event horizon of a black hole or the instant before the Big bang, physical laws—and physics itself—no longer exist. In Origen, Brown has pulled out all of the stops and tried, once and for all, to bludgeon religion to death with science that modern Catholicism does not repudiate. He has failed miserably and instead has given his readers a diatribe, not an engaging novel of suspense.So why is this so troubling? I, for one, am tired of trying to read an enjoyable thriller without being hit over the head constantly by the axe Brown has to grind with religion, the Catholic Church in particular. Without contributions from Catholic scholars and monks, learning would not have survived the Dark Ages due to monasteries preserving classical Greek philosophy, and many of the greatest scientific breakthroughs have been made by Christian men and women of faith. Even today, there are millions of scientists who belong to organized religions, scientists who do not believe that science and religion are mutually exclusive.The character of Robert Langdon remains undeveloped after six Langdon novels, which would qualify most writers for an immediate rejection slip. Yes, we know that he swims every morning, wears a Mickey Mouse watch, has an eidetic memory, and grows irate and frustrated at all people who do not have every nuance of history, art, architecture, and symbology committed to memory. In this latter respect, Langdon never fails to grow aggravating to me and patronizing and condescending to other characters. Yes, Langdon is an uber scholar, but as a human being he is flat, one-dimensional.And speaking of Langdon, his role in this novel is minimal. He is more of a bystander as Brown preaches his gospel of atheism. He solves a few riddles, but he certainly doesn’t advance the plot.The copy editing for the book (as with other Brown novels) is bad. Hundreds of compound words are split into two, such as “crossfire.” In the novel we are told that two characters are in “a cross fire.” That literally means that they are somehow threatened by a burning cross. Words are hyphenated that shouldn’t be. Commas are thrown about haphazardly, and sentences that need commas to prevent a misreading have none.The constant use of italics (and Spanish sentences) is especially annoying. Sentences are italicized at the drop of a hat to show thoughts, alarm, emphasis, etc. These are all valid uses of commas, but they are used thousands of times in the book, and I couldn’t always tell when a sentence was expressing a thought, emphasis, surprise, or all of the above. This overuse of italics slows the reading process and at times makes it unclear who is thinking or speaking.In terms of using italics to indicate a rise in vocal inflection, there is no rhyme or reason to where the italics are placed. I read many sentences out loud, but they sounded ridiculous and sing-song. The incorrect vocal emphasis compromises the dialogue in hundreds of places.As usual, Brown revels in describing architecture and art, but his description of architecture was way over the top here. It was pervasive throughout the book and extremely repetitive in spots. I suspect Brown couldn’t resist the descriptions since they are mostly framed as architectural explanations that reinforce the atheism or paganism of the architect. There’s such a thing as too many chambers, staircases, crypts, balconies, and spires. At times, I felt as if I were reading Architectural Digest.And then there is the anticlimactic ending that runs for seventy-five mind-numbing pages (a video presentation to shock the world into giving up belief in God). The science is shaky at best, and the presentation jumps from one scientific conjecture to another. I felt as if I were sitting in a college auditorium, forced to listen to a longwinded and slightly far-fetched lecture. It’s tedious in the extreme and seventy-five pages of more didacticism and philosophy mixed in with science that again twists facts combined with computer simulations that are both nebulous and a bit hard to swallow.But wait! Langdon at the last minute asks where physics came from? Who made the laws of science? Maybe there is a higher power after all. Nah. Science is the new religion. Or, well, maybe they can work together. Nah, science is the new religion. But maybe God exists and the fault lies with fundamentalists and evangelicals. No, science is the new religion. The ending is garbled from a narrative perspective, but the message has been driven home. God, according to the narrative, is irrelevant either way. Only science can save the world.I think Mr. Brown would be well advised to put Robert Langdon on the shelf for a while and write other novels, ones similar to Deception Point or Digital Fortress. When the formula is always so preachy, determined to prove an anti-religious belief ad nauseum, the patience wears thin.Unfortunately, Brown’s thrillers have become a platform for not-so-thinly veiled attempts to refute God and religion. It has become tiresome. Origen hardly qualifies as fiction because of its heavy-handed rant against religion. As noted, his books are not really based on facts, but he has snookered millions of readers into believing that he and his alter ego, Robert Langdon, know arcane secrets and truths. They don’t.

I wish I could give this 3.5 stars, but it doesn't warrant 4 in my opinion. I love Dan Brown's novels, his writing style, and his extensive use of history/tech in most of them, and I always learn something when I read his books. Robert Langdon is one of my favorite fictional characters. However, as this series moves on, it's more of the same. Brown has a plug and play format that he follows, and as I read this book, it's basically Robert Langdon at some educational/art venue where a friend/colleague, etc. asks for his presence only to witness a murder or event that threatens the world. < insert new villain here that is on a mission from God because his/her family was wronged>. Run to this historical place, find something they were looking for, find it quickly and then all is right again. There was supposed suspense, in that you want to find out what in the world Langdon's friend had to say before his murder--and of course, you have to wait until the end to find out. But I skimmed a lot of it because it was just more of the same. By the end of the book, I wasn't particularly enlightened by the so-called "discovery that would change the world." And, the side plot (that actually seems like part of the larger plot) of the Prince and Bishop was a distraction. The only part that was remotely interesting was the use of "Winston" in the novel. I was hoping for something more original from Dan Brown, especially after paying $15.00. I wish he'd return to the days of Digital Fortress. He's such a talented writer, but if this is his whole mantra for novel writing, I'm not sure I'll buy the next one.

Like most people I was introduced to Dan Brown by way of "The DaVinci Code". I was so entertained by that book that I went looking for the author's earlier work. I found his first two efforts and found them to be interesting as well as entertaining. Then I found the book that was the prequel to DaVinci, "Angels and Demons". This book was also entertaining until the author decided to employ plot devices that could only have been credibly used in a Roadrunner cartoon. A lapse of this nature completely destroyed the enjoyment of this book for me. Nevertheless, I continued to follow Mr. Brown and his next two books were passable journeyman efforts but unworthy of the attention they received. What I have noticed in my reading of Mr. Brown's books is that he employs a rather simple character development pattern. If you identify this pattern and apply it to his plots then the mysteries of his books are easily predicted and solved thus diminishing their value as thrillers.I also have another issue with Mr. Brown that might just be me reading too much into his books. After reading this latest book it occurs to me that Brown has now written three volumes in which the Catholic Church or religion in general are the focus of the thrillers. His treatment of the Church and religion is something less than laudatory and has earned him some significant amount of criticism from these institutions. I have read a fair amount of Church history and find the decadence and depravity found in that history to be enormously interesting and entertaining. I have humorously suggested that the Church should have its own cable channel devoted to tales from their history. Such a channel would be a blockbuster and contribute greatly to enriching the Church's coffers. Now maybe Brown is just as entertained by the Church's history as I am and has simply taken advantage of this history as low lying fruit and exploited it. Then there is the possibility that Brown has some sort of ax to grind with the Church and is using his fiction to settle scores. If that is true then I would be most disappointed in Brown taking advantage of his readers in this manner. I prefer to believe that the Church's history has made them vulnerable to stories like this and just leave it at that.As for this book Brown does employ his usual character format and the story had, for me, a predictable outcome. This is very disappointing because the story was very imaginative and ripe for discussion among its readers. It is as though Brown is two people. One person has a very fertile imagination and does significant research to flesh out the ideas for his story and when this is done he turns it over to Brown the writer. Brown the writer isn't nearly as talented as his other half, the inventor. The result is a book like this, a good idea only passably executed. The book was entertaining and readers will either enjoy it or find it wanting. I can understand ratings going to either extreme as there are legitimate reasons for both. If you are a reader that expects more from an author you are likely going to be disappointed. However, if you are a forgiving sort then you may be inclined to think better of this effort than I did. (less)flag2 likes · comment · see review

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Jumat, 01 April 2011

PDF Ebook Communism, Fascism, and Democracy: The Theoretical FoundationsBy Carl Cohen

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Communism, Fascism, and Democracy: The Theoretical FoundationsBy Carl Cohen


Communism, Fascism, and Democracy: The Theoretical FoundationsBy Carl Cohen


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  • Sales Rank: #1107862 in Books
  • Published on: 1996-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.00" w x 6.40" l,
  • Binding: Paperback
  • 512 pages

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